Wanna see something moldy? >:3

Here’s a short story I wrote in 2002. I remember it having something to do with a left of the center star, and bards who could leave important memories for other bards in order to pass vital information if they died or couldn’t get back. 

All in all, this tidbit is a bit repetitive and over-descriptiony, but I could do something with the setting for sure. Not bad for something I wrote in high school.

Continue reading “Wanna see something moldy? >:3”

A Corpse Revived (Phoenix Emperor .5)

The following is chapter 1 of 11. It is a short story that happens one year after Phoenix Emperor. Thus the .5 designation. Because it gets a bit, in Fanfic terms, lemon-flavored I will not be publishing this story in printed form. I will, however, make it available as an ebook for a dollar after it’s gone through a couple of editing cycles. The ebook version will be available in April 2018. 

If you’re interested in reading the rest of it, I suggest subscribing to my Patreon, as the chapters will be posted there once every couple weeks.


Continue reading “A Corpse Revived (Phoenix Emperor .5)”

Its CAT LOVE between two CATS~


I got nuthin today…

I’ve been busily working on Shaxia, though. So there’s that! 


Here’s a snippet:


Daharn would have climbed the wall if he could find any kind of hand hold.

“Nyxa!” Hasabi huffed as she came barreling out the door after. “Get back here and put on your panties!”

The toddler cackled from around the bend. Hasabi was soon out of sight as well.



yeah… that’s Natan’s offspring for sure. :)

Sorry sorry

I haven’t had anything to say on Fridays last few weeks because I ran out of my queued posts and NANOWRIMO started :)

I’m halfway through the month, a little over halfway through the goal, and I think I’m halfway mark on the story. 


Have an excerpt:


Vathion waited.

He tried to wait patiently.

Daharn put a hand on his knee to make him stop twitching and shaking the tree branch they were hiding in. As Scheerahis had described, the spider-walkers were moving in a circle around the base building. There were about ten Carken playing in the mud. One of them was riding a spider-walker, waving his tentacles and yodeling. If there had been any Hyphokos out listening for signs of Shaxin or Gilon, they wouldn’t have heard a thing.


It’s said often that when writing, you should show instead of tell, but no one really goes into detail on how to do this.

Well, here’s my attempt to explain.

Telling in writing is sort of a way of distancing your reader from the action. Such as, telling the reader “She felt affronted.” Or “He got ready and headed out the door.” These sentences aren’t passive voice exactly, but they’re not really juicy. They don’t give much depth into the character’s thoughts or motivations.

“She felt affronted” could be changed to: “She shifted her shoulders and looked away, refusing to dignify his statement with attention.” This way, you’re given more of an idea of what her “affronted” looks like. That way, next time he says something insensitive, she can grind her teeth, or haul off and punch him in the mouth since she’s had it up to here with his stupid face. Try describing her the way you would expect a cat to react if you laughed at them falling off something ungracefully. 

“He got ready and headed out the door” is a little more difficult as this sentence could work if you’ve already done enough explaining within the scene already. However by itself, its kind of a boring sentence. “He brushed his bangs back from his forehead and settled the bag on his shoulders. Grasping the door handle, he hesitated. Was he really ready? Someone pulled the door open from the other side. He squinted at the early morning sunlight. Well, ready or not, this was happening.”

This is by no means a hard rule to follow, but getting rid of the word “Was” from a sentence goes a long way towards making the action more action-y. “She was battered and bruised all over.” This could better be described as: “A bruise graced the left side of her face; blue and purple mixing with the fresh blood from her split lip. She walked with a limp, gripping her side. Still, her eyes shone with determination.”

If you have the opportunity to let the characters tell the story rather than you, the author, being too involved, then take it. The characters and their actions/reactions to the setting are why you’re writing anyway, right? If they’re not, go write a non-fiction book.

How to get over yourself

Writers have an ego problem. This one is kind of a pots and kettles situation. I know I used to be like this, (still am in some ways) and I apologize to those I inflicted my Writer’s Ego upon.

How to take criticism is easy. And hard.

  1. Don’t take personal offence to your editor doing their job.
  2. If multiple readers tell you the same thing, fix the problem, don’t be part of the problem.

The human mind is wired to discard positive experiences and dwell on the negative. You need to actively fight against that. Even if all your editor has to say is negative stuff, that doesn’t mean there isn’t positive things in your writing.

We (Writers) spend a lot of time, effort, and tears in creating our stories and we want people to love them as much as we do. We have a tendency to be very self-centered, too, and believe that because we’ve spent all this time on something, obviously it’s got to be perfect. Unfortunately, nothing is perfect.

Just to make sure you got that:


There’s only “good enough for now.”

The sooner you accept that, the easier it will be to take criticism. It’s sort of a “wu wei” situation in which you do what you can to make sure your story is as good as it can be, but then you have to place it into the hands of someone else.

When you hire an editor, you’ve got to divorce yourself from the idea that this is your precious baby cinnamon roll, perfect and pure. It helps if you have some distance between the time of writing and when you submit it to an editor.

When you hire an editor, you are choosing someone to read your work who has spent time honing their skills to pick out what’s wrong with a story and make suggestions on how to fix it. You have to trust them to let you know if what you thought you conveyed is what you actually put on paper. Situations you thought were harmless are actually a big deal to someone else. Otherwise, why did you hire them? To give you a pat on the back? Your mother can do that for a lot less money and energy.

(Thanks to all the “Mothers” – biological or not – who support their artistic babies with unconditional love and support.)

If you’ve handed your story out to multiple readers, and they’re all saying the same thing, such as: “This sequence of events doesn’t make sense” and you take personal affront to that, you need to step back and breathe. The statement is exactly what they said. “This sequence of events doesn’t make sense.” So your problem is either you didn’t describe the events clearly, or the events leading up to the moment that doesn’t make sense aren’t right. So fix that instead of getting your panties in a twist thinking that your friends hate you personally and think your writing is shite.

If they weren’t interested in you, your thoughts, or writing, they wouldn’t have bothered to read the story and give you feedback in the first place. I’ve had plenty of times where I’ve asked someone to read something of mine and they just never got around to it. This is just something that happens. It isn’t that they don’t love me, or aren’t my friend, they have their reasons for not reading what I sent them and it isn’t meant to be a slight towards me. Same goes for you, Hypothetical Reader/Writer person I’m pretending to talk to.

It is one thing if someone who hasn’t read your stuff says something. It is entirely different when you have ASKED someone to read your work and they give you feedback. Trust them. You’re not a terrible writer just because the story isn’t perfect. Nothing is perfect and while you don’t have to take all their suggestions, you do need to listen to the people you have deliberately solicited an opinion from.

Bottom line is that their criticism of your story is not a reflection upon YOU. So CHILL.